{toptips} Big Projects

Every now and again a crafter does something incredibly brave and stupid and takes on a large project. It could be a 2-ply cardigan, a Dr. Who scarf, a 500-piece quilt, or a similarly madness-inducing undertaking – the process is generally the same. A so-called brilliant idea, the general feeling of ‘it won’t take that long’, the excitement at purchasing a ridiculous amount of yarn or material and making a beginning. Then comes the slow realisation that you are never going to finish this project. The dread that comes every time you picking it up. The urge to just lay it aside and work on something quick and easy. The dark clouds gather in and night seems permanent.

I recently took on such a project. It was a blanket for my friends. It wasn’t even that big a blanket, but it was beige, all beige (to match their dog) and there were 48 squares to knit, block, sew up, and block again.

But, as many other crafters know, it’s all worth it in the end. The end was so sweet I completely a little war dance lap of the living room as soon as a sewed in the last thread. And now, from the height of my success, I feel I can give some advice.

Here’s my top tips for keeping your sanity:

  • Break it down into smaller pieces and treat each one as an achievement. With the Embossed Leaves Blanket, this was fairly easy – with 48 squares, I could easy say ‘I’m a quarter way though’ or ‘I’ve got a third left’.
  • Never say ‘I’ve just got to sew in the ends in and I’m finished.’ Sewing the ends in taking bloody ages; ensure you factor it into your planning.
  • Buy more yarn than you need; I over-estimated by five balls and used all of them. Prevent the heart: order more.
  • Don’t block a large blanket on your only sheet; I’m terribly afraid I haven’t collected all of the pins and will be rudely, painfully awaken.
  • Always keep the end in mind: in my case the look on my friends’ faces when I hand the damn thing over!
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{out&about} Rainbow Trees in the City Square

I have to admit, I sometimes question the point of knitted graffiti or yarn bombing. I can’t help but wonder the time spent creating them would be better spent making more practical items like clothing.

And then I come across something like the Rainbow Trees above. I instantly smiled when I spied it from Flinders Lane and still smile when I pass it, even though it’s been up a couple of weeks. Practically isn’t everything; if only a tenth of people walking past smile, this project was time very well spent.

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{out&about} National Wool Museum

I have to admit, I’ve never really thought much about where wool came from. I knew it came from sheep and all, but how it got from animal to my yarn shop, well, I was a bit vague on that. I am now considerably more educated though, thanks to a trip to Australia’s National Wool Museum.

Housed in a beautiful bluestone building, the museum is in Geelong, about an hour’s train from Melbourne central. It’s not a large museum, but there’s still plenty to be learnt inside. The downstairs gallery was (disappointing) occupied by some dinosaurs when I visited, but the first floor galleries had what I’d come for. Gallery 1, ‘The Wool Harvest’, focussed on sheep and shearing, while Gallery 2 ‘From Fleece to Fabric’ looked at the processing of fleece.

I spent far more time in the second gallery, as I’m not overly fond of sheep (I was bought up in a dairy farming district). The gallery shows how fleece goes from a rough, dirty material through various stages of carding and combing to become a beautiful, useful thread, which is then woven or knitted. There’s plenty to touch, with samples available at every stage of the process, and hand machine examples of carding, weaving, and sock-knitting. There were even children there having fun. In a wool museum. Who’d'f thought.

The focus is definitely on the production and processing on yarn; there’s very little on retailing yarn or home production of clothes. This is understandable, if disappointing. The museum relies largely on volunteer labour and there’s only so much it can do. And, let’s face it, it’d probably only be interesting to knitting geeks. Of course I can gather this information myself from books like The Loving Stitchbut it would’ve been nice to see what a wool shop looked like in the 1920s, what patterns were available in the 1930s, or how home knitting was involved in the two World Wars. But I understand the time and money constraints that museums work within, so I’ll keep a hold of this little dream of mine until I win Lotto and can donate a bundle to the museum.

Aside from this little grumble though, the National Wool Museum is thoroughly enjoyable and well-worth the trip out to Geelong.

National Wool Museum, 26 Moorabool Street, Geelong
Open: Monday to Friday 9:30am to 5:00pm, Saturday to Sunday 10:00am to 5:00pm
More Visitor Information (Entry fees, parking, public transport)

My notes on wools processing and the captions on the photos are brief. If you’d like to know more about wool process from the comfort of your own home, Australian Wool Innovation has a good website.

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{free pattern} Puppy Santa Hat


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A quick knit using left over yarn, the Puppy Santa Hat is the perfect prop for Christmas photos or a present for a dog-lover. The brim and pom pom are made in 8ply yarn, giving them a bit of bulk, while the body of the hat is knit in 4ply, allowing the hat to flop nicely. Easily adapted to any size of dog.

My gorgeous model for the hat is Jock, a Cairn terrier who belongs to the friends I’m staying with in Melbourne. He (and my friends) have been lovely during my job hunt phase – Jock’s always ready to play or be cuddled when no one’s called me back!

Puppy Santa Hat

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{out&about} Cancer Support

A heart-warming display of support outside the Melbourne CBD Cancer store. I’m not entirely sure if this was the result of a group or single person’s effort, but it sure is pretty and I hope it brightens people’s days.

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{topfivetips} Crafting Gifts

This is the first Christmas in a very long time I won’t be making any of my Christmas presents (due to the business of the move to Melbourne) and it makes me a little sad. If you’re making your own Christmas presents this year, here’s my top five tips for crafting Christmas gifts.

1) Give yourself plenty of time. To test if a present is finishable, time yourself doing a test patch – five or so rows – and multiply the time by the remaining rows. This will give you the bare minimum for time remaining.

2) Ensure the receiver is Yarnworthy? It may sound a bit harsh, but some people don’t appreciate the effort that goes into a home-made present and would be much happier with a store-bought gift.

3)  A tag with care instructions is always a good idea. Be sure to include washing and drying guides, such as ‘Hand wash only, dry in shade’.

4) Choose patterns and yarn you will enjoy making – you don’t want the dear family member or friend reminding you of a hated project.

5) Choose ‘appropriate yarns’. Some people don’t have the time (or inclination) to hand wash items – stick to machine wash yarn for these people.

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{out&about} Red Hill Knitted Graffiti

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I recently moved to Melbourne in search of excitement and inspiration and I haven’t been disappointed yet! On my first weekend here, my friends took me on a trip down the Mornington Peninsula, where we visited the Red Hill Cellar and Pantry. Most people would probably visit for the food and drinks – the range is amazing, with lots of local produce and an enormous cheese cabinet. But the highlight for me was the knitted graffiti that was scattered about the place. An enthusiastic local or employer had decorated several of the trees, chairs and even some of the wine bottles inside with crochet decorations. Here’s a selection of the best pieces….

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